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- Autorius: Jayne Gold
- Leidėjas: Taylor & Francis Ltd
- Metai: 2026
- Puslapiai: 200
- ISBN-10: 1041290055
- ISBN-13: 9781041290056
- Kalba: Anglų
Atsiliepimai
Aprašymas
Brecon's Hidden Theatre History, 1699-1870 uncovers how the Welsh market town of Brecon became a key center for theatrical innovation and women's cultural leadership over nearly two centuries.
Sarah Siddons' 1755 birth in Brecon is revealed as part of a rich theatrical tradition that predated her by at least fifty years. Drawing on the archival collection of renowned local historian Sister Bonaventure Kelleher and newly discovered materials, this study recovers forgotten patterns of provincial theatrical practice. It introduces a pioneering "archival resident" methodology, blending microhistory with community-based research to reveal the vital roles women played as theatre managers, patrons, and innovators. The book challenges London-centric narratives of British theatre history, offering compelling evidence of female agency in public cultural life. By demonstrating how provincial communities like Brecon shaped distinctive theatrical traditions, it provides a replicable model for recovering overlooked local histories through rigorous archival scholarship and community engagement.
This book is essential for theatre historians, scholars of women's history, Welsh historians, and anyone interested in cultural history. It will appeal to those studying courses in theatre studies, gender studies, or local history, as well as general readers eager to explore how overlooked communities and voices have shaped the broader cultural landscape.
- Autorius: Jayne Gold
- Leidėjas: Taylor & Francis Ltd
- Metai: 2026
- Puslapiai: 200
- ISBN-10: 1041290055
- ISBN-13: 9781041290056
- Kalba: Anglų
Brecon's Hidden Theatre History, 1699-1870 uncovers how the Welsh market town of Brecon became a key center for theatrical innovation and women's cultural leadership over nearly two centuries.
Sarah Siddons' 1755 birth in Brecon is revealed as part of a rich theatrical tradition that predated her by at least fifty years. Drawing on the archival collection of renowned local historian Sister Bonaventure Kelleher and newly discovered materials, this study recovers forgotten patterns of provincial theatrical practice. It introduces a pioneering "archival resident" methodology, blending microhistory with community-based research to reveal the vital roles women played as theatre managers, patrons, and innovators. The book challenges London-centric narratives of British theatre history, offering compelling evidence of female agency in public cultural life. By demonstrating how provincial communities like Brecon shaped distinctive theatrical traditions, it provides a replicable model for recovering overlooked local histories through rigorous archival scholarship and community engagement.
This book is essential for theatre historians, scholars of women's history, Welsh historians, and anyone interested in cultural history. It will appeal to those studying courses in theatre studies, gender studies, or local history, as well as general readers eager to explore how overlooked communities and voices have shaped the broader cultural landscape.
Atsiliepimai